Friday 23 November 2007

Marc Jacobs naked moment



Marc Jacobs extends his moment of nudity in the latest issue of Visionaire, #52: Private, shot entirely by Mert Alas and Marcus Piggot, and published in a Louis Vuitton gold case. Jacobs served as guest editor for the special issue.
See the full shot after the jump...
Last week, Jacobs told the NYT: "In the most basic way I can say it, coming from a psychological place, what I love more than anything is attention. That is about as honest of a statement that I could possibly make. I want a reaction, because I want the attention."
Whatever your opinion of Jacobs or his want of attention, the image itself is pretty beautiful. And who wouldn't lie down naked on a giant stuffed doll for Mert and Marcus?

Wednesday 14 November 2007

Rendez vous de mois: ARI LEVANAEL











Experienced Aerial Performer. He has performed for audiences at events such as the Glastonbury Festival in the UK, the Edinburgh Fringe Festival in Scotland, the Storas, Ibsen, Jessheim and Moon Festivals in Norway, at festivals throughout Australia and at the grand opening of the Four Seasons Hotel in Hong Kong. Dazzling audiences at events for major international corporations including MTV, IBM, Motorola, Coca Cola, Virgin Airlines, Sydney Fitness Expo, Price Waterhouse Coopers and Sony to name a few. Training available for private and group tuition. Aerialist, performer and teacher. Competent in aerial silk, ring, rope, static trapeze and fire.























































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Take a look on Aris artisticly performance..

Wednesday 7 November 2007

Tuesday 6 November 2007

Casa PR (Portugal)

The land around the building rises and falls, dotted here and there with trees. The house is located at the edge of a plain and is accessed by climbing the slope of a private drive. This arrangement satisfied the different experiences and sensibilities of two clients.










































































































































































































































































































































































The house is one square floor. One corner seems to rest on the upper reaches of the slope, but actually sits on top of the floor below, which is dug into the hill. The other three corners extend out in the air over the lower parts of the terrain. One corner rests atop a cement portico that accentuates the fragility of the glass that encloses the main living space.

























































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